she cuts out two women - embracing - hollow on white - there is a passage from the offices to the garden - a bridge of some sorts - she places the stenciled women on the passage and uses a sieve to sprinkle flour on them - it's snowing in august - it's august 3rd, 2008, A HISTORIC MOMENT ------>->----->>->--->
but then history is always rewritten and she peels off the paper from the concrete – the women’s silhouette is no longer confined in white - they ARE white – and free – and now they flow - people walk through the passage to the “stage” area where i’m reading from “zarubyan’s women” and their white footprints appear in every corner of the garden, the underpasses, the streets, the city.
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